Saturday, April 25, 2015

Little Science, A Little heart - That Is All

One doesn't have to be a connoisseur of classical music literature to have at least a minimal exposure to the works of Gioacchino Rossini. He wrote 39 operas in his life. Through one opera alone, he provided Looney Tunes with a generation of sound cues. Of course, when you're hit over the head with a giant wooden mallet, there are birds zinging around your head as you come to, and the flute music from "after the storm" is heard. Who can forget Sylvester the Cat singing ""Feeeee-ga-ro Figaro Figaro!" as bricks and garbage are hurled at him? Others were inspired by Rossini's music as well. Popeye the Sailor couldn't weather a storm at sea without hearing "The Storm" from William Tell. And, of course, there's The Lone Ranger Theme. All Rossini.

He lived from 1792 - 1868. By his 70s, Gioaccino had turned opera into the Marx Brothers of the times, making the audience laugh, and cry at the same time. He was adored by his audiences, but he wondered if his frivolity had upset his Maker. Rossini decided to turn his talents to sacred music. He composed an entire mass "Petite Messe Solennelle" (Little Solemn Mass), which Napoleon declared was "neither solemn, nor little" (it runs 70 minutes). Le Si├Ęcle (a music critic of the time) stated that "it was a good thing that the mass was scored for a small choir, piano, and harmonium, because, had it been scored for full chorus and orchestra, it would have enough fire to melt a marble cathedral".

Rossini, in the dedication of the mass, declared, humbly:

"Good God – behold completed this poor little Mass – is it indeed music for the blest that I have just written, or is it just some blessed music? Thou knowest well, I was born for comic opera. Little science, a little heart, that is all. So bless Thee Lord, and grant me Paradise!" (1863)
So, picture Rossini and God, face to face at the time of judgement. An awful and complete silence. God is reviewing the life that was Rossini, especially the Missa Solemnis. God shakes his almighty head.

"Gioaccino, Gioaccino. Here in Heaven, we have all of the works of the greatest composers who have come before you. Haven't you ever heard the great Toccatas and Masses of Bach? The St. Matthew Passion? Handel and the Messiah? The hymns of Martin Luther? And here you come, Gioaccino, with people smiling as they are singing, and rhythm, and the lilting ---"

Rossini hangs his head. It is hopeless, now. How could he have expected the Almighty to accept such a humble and rustic thing as this mass.

" . . . and what's that in the first row, there, Gioaccino? An ACCORDION?"

"We called them harmoniums in my time on earth, my Lord." Rossini replies very softly and dejectedly. "reinforces the harmony of the chorus ..."

God rises from his throne, Rossini cringes, as the hand of the Almighty sweeps toward him. With a mighty roar, God proclaims "Gioaccino Rossini - - - - "

The heavens are silent, as Rossini hears his name echoing back to him from the clouds. God puts his hand on Rossini's shoulder, no longer able to suppress a smile. "Gioaccino, my son, come home. Come in, my son, we'll show them how the joy comes into the music."

 

Little science, a little heart.  That is all

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